Nikki Green is an Australian Jewish artist currently based in Denmark, Western Australia, one of the most bio-diverse hotspots on earth. In this new exhibition, Nikki will be exploring the parallels between Jewish mysticism and the Indigenous Australian connection to the land. Her work combines these two seemingly disparate cultures, revealing a relationship between text, nature and spirit and the ensuing organic patterns that emerge from their intimate connections.
For a number of years Nikki has been investigating the healing qualities of indigenous plants and has spent time with local Noongar elders of the South West, learning about their intrinsic relationship to the land. Through the process of scribing Hebrew texts, the artist also developed an understanding of the transcendent powers of the letters and their forms, a process which marked the beginning of her exploration into Hebrew script and Jewish mysticism. Nikki has married these two traditions within her creative practice and explores the parallels between the two cultures within her art.
“The resulting series of work, Letter, Land, Lore, encapsulates the marriage of these worlds. It explores the parallels between Hebrew letters, native Australian wildflowers, and the medicinal values embodied in both letter and flower.” Nikki Green
Letter, Land, Lore will be officially opened by Victor Majzner at 3pm on Sunday August 3. Nikki will give an artist talk where she will share her inspirations and artistic techniques. Please join us in welcoming Nikki at the official opening.
Nikki will also be our Artist-in-Residence at the Museum and will be facilitating a number of exciting visual art workshops throughout August and September. Visitors are welcome to watch Nikki working on her art and chat with her informally about her practice. Be sure to visit the What’s On page for regular updates.
Remember curling up with a delicious bowl of Bubba’s hot chicken soup? The smell of sweet spring honey cake straight from the oven? Grains of sand beneath your feet on a hot summer’s day? Or the delight of stomping on fallen golden leaves? There’s something special about every season, which is why the Jewish Museum of Australia has curated this highly anticipated exhibition, In Season. Designed specifically for children and families, this exhibition will display rarely seen items from the permanent collection to tantalise and engage all of the senses! The Museum’s Loti Smorgon Gallery will be transformed into a dedicated kid’s space, combining colourful, vibrant design with tactile experiences and more traditional object display.
Let us take you on a playful, educational and stimulating journey – from dress-ups to drawing, cooking to photography – for you and your little ones to discover the beauty of the changing seasons from a uniquely Jewish perspective.
Major exhibition supporter
An exhibition which uses the power of art to communicate great Jewish ideas.
The Jewish Museum of Australia and the Harold Grinspoon Foundation (USA), present an exhibition of graphic designed posters that interpret the ideas of Jewish luminaries throughout history.
Drawing on concepts of environmental health, communal belonging, identity and positive existence, the exhibition encourages us to consider which ideas remain relevant and poignant in contemporary times. Visitors can also make their own poster in the gallery workstation or participate in an online discussion of these great ideas!
Local artist Elizabeth Pedler has produced a bold and bright complementary work which mirrors this visual expression of ideas by utilizing symbols to represent their continuous adaptability and organic nature.
Throughout the year, Jewish families gather to celebrate Jewish holidays, and having children and instilling Jewish values is often seen as the most important way to ensure a thriving Jewish community into the future. While traditional Jewish family life has changed in response to modern values, for many Jews in Australia and around the world, family remains the touchstone of their connection to Jewish culture and identity.
This exhibition, which honours the centrality of family in Jewish life, has been mounted to coincide with the launch of the newly named Dinah & Henry Krongold Family Gallery. The Krongold family has been associated with the Jewish Museum of Australia over three generations. Dinah and the late Henry Krongold were present at the laying of the foundation stone of the Museum’s current premises in 1995, and their grandson, Adam, is currently on the Board of the Museum. This gallery has been named in recognition of the Krongold family’s generous support as donors to the Museum, and this exhibition pays tribute to their family tradition of community involvement and philanthropy – from generation to generation.
“The Blake fulfils a role beyond that of only being an art prize. What it has done best, over its long history, is to sponsor a conversation about what matters most in our culture. This is the big picture side of what we understand by the word spirituality. It is the public face of tolerance, hope and compassion”
Rod Pattenden, Chair of the Blake Society
The Jewish Museum of Australia is delighted to be part of the 61st Blake Prize, and the sole Victorian venue for the 2013 national tour. Since its inception in 1949, the Blake has provided a remarkable opportunity for contemporary engagement with religion and art, inspiring conversation about the meaning and value of these two elements within everyday life. The Museum has similarly long been synonymous with interpreting, exploring and presenting Jewish religion and spirituality, ritual and tradition, often through an artistic lens. A beautiful complement to the Museum’s permanent exhibitions, the Blake provides a unique and valuable opportunity to reflect on Jewish life in a distinctly Australian, comparative and contemporary context.
This exhibition of digital images by Australian-Jewish artist Bill Meyer uses the 54 parashot (weekly readings) of the Torah to navigate a personal and universal journey. Religious and spiritual, artistic and interpretative, metaphoric and literal, the installation documents the artist’s own exploration of the Hebrew Bible and its relevance and meaning today.
The images themselves mark contemporary situations and places. They move from the physical to the abstract, and derive mostly from Meyer’s own travels. The visual references for the works span some of the artist’s most personal and recent journeys – trips to Israel to reunite with family and friends, business trips, medical journeys – as well as the more common journey of the refugee or the journey back through history. The train, the car, the ship, the pair of legs – each of these modes of mobility find special significance in this new exhibition as they represent (at times, abstractly) not only the nature of the journey itself, but also the beauty in the banal.
As visitors to the space we are asked by Meyer to contemplate life’s trajectory, to use his beautiful and complex images as the starting point for our own questions and interrogations – from where have we come and to where are we headed.
EPIC! 100 years of film & the Bible explores the fascination that filmmakers from all over the world have had with the Bible. From Australia to Croatia, USA to Mexico, EPIC! showcases the unique and fascinating journey of the Hebrew Bible through film. Comprising mostly rare vintage movie posters, stretching as far back as 1921, the exhibition also features ephemera including movie stills, lobby cards, press books and costumes. This exhibition explores how filmmakers have been mining the Bible for drama, exoticism and eroticism, taking audacious and creative liberties to heighten the sex, theatricality and violence since the turn of last century.
On Reflection: 30 Years of Exhibitions at the Jewish Museum of Australia opens as part of the Museum’s 30th anniversary celebrations and is dedicated to the wonderful and varied exhibitions curated and displayed at the Jewish Museum of Australia, since its modest beginnings in the back room of the Melbourne Hebrew Congregation in 1982.
On Reflection profiles 30 exhibitions from the almost 100 major exhibitions produced at the Museum. Each is represented by an object featured in the original display and which comes from the Museum’s own permanent collection. These profiled exhibitions bring to light the themes and subjects that have captivated our curators, designers, artists and volunteer committees, and that have also so successfully captured the imaginations of our audiences.
Ranging across contemporary art, archaeology, social history, Jewish culture and ritual, photography, Judaica, and interactive experiences for children and families, these special exhibitions have reflected and responded to the community and have provided opportunities for visitors of all backgrounds to share in our culture; engaging with and examining what it means to be Jewish in an Australian and global context.
Showcasing the magnificent objects of our permanent collection – which itself has had a defining role in bringing these exhibitions and stories to life – On Reflection is as much about reflecting on the Museum’s proud history of exhibiting and collecting, as it is about reflecting on the ever-changing dynamic of our unique community.
Loti Smorgon Gallery:
Aleph Bet: the artistry and poetry of the Hebrew Alphabet
Works by Marc Lopez Bernal.
Aleph Bet: playing with the Hebrew alphabet
Works from the Jewish Museum of Australia Collection.
Aleph Bet is a not-to-be-missed exhibition in two parts for adults and children exploring the 22 letters of the Hebrew alphabet through art, spirituality, words and objects.
In the Loti Smorgon Gallery, Aleph Bet: the artistry and poetry of the Hebrew alphabet, works by Marc Lopez Bernal is a mystical and poetic journey through the letters of the Hebrew alphabet. French contemporary artist Marc Lopez Bernal has created large-scale, mixed-media artworks, some measuring 2 x 3 metres, forming an exciting and complex landscape of letters.
Spatial, sensual and dreamy, Bernal calls upon natural elements in his recreation of the Hebrew alphabet. This major exhibition will be the first showcase of Bernal’s works to be exhibited in Australia.
In the Gross Gallery is the family-friendly Aleph Bet: playing with the Hebrew alphabet which features 50 colourful, quirky and interesting objects from the Jewish Museum of Australia collection, that each relate to a different letter of the Hebrew alphabet. With objects displayed at child-friendly heights, and a range of fun activities, this exhibition is a wonderful way to engage children with language and words through history and objects.
Pieces include a handmade Gypsy doll from Belsen, Germany 1945, a 1930s embroidery of a Good Witch and a 19th-century wooden model of Noah’s Ark comprising 77 individually carved wooden animals and figures, a large selection of which will be on display.
Aleph Bet playfully brings to life the wonderful world of language with two exhibitions and a suite of exciting and stimulating programs all linked directly to the Hebrew alphabet. These include art workshops, jewellery making and yoga for children; short courses and a series of meditation sessions in the upstairs gallery for adults. Look, listen and explore the Hebrew alphabet at the Jewish Museum of Australia with Aleph Bet.